Barry Manilow

(2013)

Michael Feinstein’s interviewing Barry Manilow on the radio. He introduced him as the man who wrote the songs that made the whole world sing. A minute ago they were playing Thelonious Monk. Now they’re playing Barry singing Nature Boy as a five year old.

It was shit like this that turned me into a punk rocker. But I’m old now, and sophisticated, and all I can do is turn grumpy. So get off my lawn, Barry Manilow.

But I don’t have a lawn. It’s one of those days.

National Hug Day

(1/21/2016)

It’s National Hug Day? Really?

I’ve always gotten a lot of hugs, though I never got more hugs than I did when I was writing for the LA Weekly. Apparently being a jazz critic means lots of hugs. I don’t know why, but then I never did understand jazz. And in a jazz bar, it’d be open season on me, hugs came in waves, big smooshy hugs, a lady’s entire anatomy pressed into mine. Sometimes I couldn’t make my way across the floor to the bar without a series of powerhouse hugs. After a while I took to staying seated and ordering from the waitress, and after she gave me a big hug, she’d take my drink order. But sitting down didn’t entirely work, the hugs would still come, just in a more cumbersome fashion. One time, sitting down, I took a lady’s iron clad bra right in my eye. I could feel the mesh, like medieval mail, jabbing my eyeball. I saw stars as she said how glad she was to see me. I said I was glad to see her, though I couldn’t see at all. I was wondering if I was going to get a shiner. I didn’t. Didn’t the next time either from a different lady, I believe steel plated. More stars, more pain. Again, no shiner. But I learned quickly, and when a lady approached with the gleam of a hug in her eye, I stood up, quite genteel, and took it like a man.

Still, I’m staying home today.

Multi-layered nostalgia

(2014)

Oy, hockey. What a blow out. Can’t believe I wasted three hours watching the Kings get their asses kicked five zip. Ouch. Not just for the score and humiliation, but for the time utterly wasted. You only get so many three hours in a lifetime, and that one was totally wasted. Sigh….

I switch channels. Wow. Huell Howser. I haven’t seen a Huell Howser since he died. He’s at Musso & Franks Grill and it’s 1995. I recognize all the help. Huell steps out of the kitchen and bumps into Benny Carter. I yell wow, loud. Benny Carter. One of his favorite places, Benny says. I really miss Benny Carter, and I never even met him. Some people you just miss because you might have got to meet them, but didn’t. Huell turns around and there’s Charles Champlin. Another wow. They’re talking about the old days. The Algonquin Round Table West, someone says. Wow, I say. Back when jazz and writing were going concerns. Then it’s Dr. George Fischbeck. Wow. I’m awash in multi-layered nostalgia. Nostalgia for this show which I never knew I’d have, nostalgia for the people he’s meeting who in turn are waxing nostalgic about times past that I’m nostalgic for even tho’ I was never there, or even could have been, chronology being what it is. Maybe it’s nostalgia for a world where writers and jazz musicians were something, and journalists had class. A pre-internet world, basically, I type in electrons. Waxing nostalgic for a hard copy world in the ether, when back then none of you would ever even see this. It’d be notes on paper in a box in my closet. Now everyone reads it and I complain. Some people just can’t be satisfied.

I type a whole other paragraph, think about it, hold down the back space key and watch it disappear, like it never was. On paper it’d still be there, a big line running though its length. Later I could read what I was thinking. Here I’ll never know. That’s language in the digital world. There one minute, gone the next.

Musso’s, though, is analog as it gets. On Christmas Eve my wife left a card for me under the tree…how about dinner at Musso’s? it said. Soon, I said, soon. I love the place. You need cash to do it right, and it’s too soon after the holidays to think about it now. But soon. We’ll sit at an old table and drink martinis and eat pot pie and oysters on the half shell and a crispy iceberg wedge with crumbles of blue cheese and I’ll imagine Bogie at the bar, not in the best of shape, or Orson Welles talking and talking and never shutting up. Or earlier, even, and there’s Charlie Chaplin, and I’m too scared to go up and say you’re Charlie Chaplin because he is Charlie Chaplin.

Old Hollywood, classic Hollywood. Funny that we’ve been here a third of a century now. I remember our first time at Musso’s, and looking at all the old people and listening in on their tales of the silent screen. They’re all gone now, long gone, and we have our own tales of a long gone Hollywood. In Musso’s all that blends together, a century’s worth of Hollywood. You can feel it. Close your eyes and you can see it. I wish I was there right now. I’d go there every week if I could, assemble a little Algonquin West. We’d eat and drink and laugh ourselves silly, then repair to the parking lot for cigars and whatever. The whateverers would giggle, the cigar smokers would blow long plumes of Cuban smoke. Flasks would pass around. See you next week, we’d say, and head off into the city looking for music, live music, and life, real life. Memories. Seeking out memories, and creating new ones.

1/3/2014

One of those parties that will flash before your eyes

(2013)

I wrote this long beautiful piece on an endless party at the Cafe NELA last nite. It was gorgeous, that piece. Then Facebook froze and the words dissolved into electrons so fuck it. Good party though. Great even. One of those parties that will flash before your eyes.

It was kinda like Al’s Bar was but without the out of control berzerkness, puking and sexual tension. You know, old people. Fun old people, though. The guy next to me even fell off his barstool, right on his back. Wham! Thought he was knocked out. But he was just drunk. You could tell he was drunk because he said he wasn’t drunk. Not even ouch. Just I’m not drunk. That was Al’s Bar to me. Also, instead of the patio they had a whole glaucoma-free back yard with lawn chairs and booths that used to be where the stage is now. No photo booth, though, and even if they did I doubt anyone would fuck in it. Unlike Al’s.
But like Al’s, this had none of Raji’s heroin chic. But like Raji’s, this place was comfortable. And like the Anti-Club, it has a big open space out back. And like Mr T’s, it had Duley. Though he wasn’t bouncing anybody here. Just playing drums. It happens.
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Duley Toledo kicking out the jams.

Duley Toledo kicking out the jams.

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Milk

I will vote for the candidate who promises to standardize the color coding on milk cartons, I think to myself, as the wife complains I got skim milk instead of 2% again. Oh well, last time it was 1%. At least I’m heading in a healthier direction, I said, it could have been half and half. It could have been chocolate, she said. I thought about making a soy milk joke, but she’s from Wisconsin.

A lot of meat

Watching a David Attenborough documentary–Planet Earth–with a Sioux Indian is mildly disconcerting. Attenborough is intoning about the bison. That’s a magnificent animal I say. That’s a lot of meat, she says. We used to hunt them with arrows, she says. You could kill them with arrows? Nah, but if you could immobilize it you could hack at it. I blanch even whiter. That’s a lot of meat she says again.

New Years in August

I remember watching a very drunk friend make booga booga noises at some Satanists. They were trying to explain the tenets of their creed and he was making faces and crazy noises. It was the booga booga that scared them, and they fled quickly into the night. That was the New Years in August party, just before midnight. My favorite New Years Eve ever, actually, and it wasn’t even New Years Eve. Those hazy crazy lazy days of summer.

Unstuck in time

Sold a mess of LPs today, making room for books. Sold a mess of CDs this week, too. The collection gets smaller and smaller. The library–books–gets bigger and bigger. CDs I like, but they are certainly unhip. Plus I can’t read the liner notes. OK, I never did read liner notes. But even if I did read them, I couldn’t. Vinyl is hip but hopelessly analog. Cassettes I have because I haven’t transferred them onto anything else. Otherwise I trawl YouTube, though spend too much at it and you get that lazy and worthless feeling, particularly if you read the comments. Eventually, I am reduced to humming to myself, off key, as I pull books out of the closet and slip them in the empty spaces where LPs used to be. I turn off the computer and retreat into a vast and erudite tome on the middle ages, the sort that makes me so dull to sit next to at cocktail parties. We’re still in the late classical period. Rome stands, though they’ve stopped draining the marshes and malaria has returned. The emperor is up in Ravenna, near Venice. Just ain’t the same as it was in Rome’s glory days. It’ll all be over soon enough, though, and things get all fucked up and eventually, well past the last page of the book, I’ll sit here typing this.

All my lady friends

(2012)

One time I thought it’d be fun to get all my lady friends at work to join me for a lunch. A bunch of them, actually, eight, maybe ten. Maybe a dozen, I can’t remember. They’d all been asking me out to lunch as people in offices do and as I never went to lunch with anybody I figured I could take them all out to lunch simultaneously. Get it over with. I didn’t say that, of course, but it was the idea. And it made perfect sense to me.

I explained this all to a friend. She looked at me like I was nuts. Do you have any idea what you’re doing? Going to lunch, I said. With all of us at once? I said sure, why not. How long have you been married, twenty five years? Twenty eight, I said. And in twenty eight years you haven’t learned anything? I was confused. She laughed. You’ll see. So you will come, I asked? Absolutely not, she said. But she wanted to hear all about it. That’s a lot of estrogen, she added, cryptically.

It was a catastrophe. I lost any control of events about one minute after I proposed the idea.  They started fighting. The restaurant got expensive. Then more expensive.  Then really expensive. You’ll need a tie, I was told. More fighting. Someone was being pushy. Another one really resented them being pushy. I’d get snippy messages, complaints. The emails began getting crazed.  One of my best friends—the gorgeous, icy, brilliant blonde—backed out. She didn’t want to meet any of the others, but don’t tell them that, she said. I didn’t have to, they just assumed it. Factions developed. Some of the ladies wanted to go here. Another there. Another got so mad she just lost it and started yelling at me for what reason I do not know. Totally blew her stack, a furious Filipina explosion. I was in the eye of a female hurricane, the storm swirled all around me.

Eventually they were all mad at me for having such a stupid idea in the first place. After a couple days of this, I called the whole thing off. That only made them madder. More fights started. I hid in my corner of the office floor and avoided them all for a week or two. Never went to lunch with any of them, wouldn’t dare. Lunch was a minefield.

The lady I’d first invited laughed and laughed. I warned you, she said. Then she asked me to lunch.

Analog monologue

Wow. My twenty year old CD player died last night. It was Gato Barbieri’s fault. My brother Jon was over spinning Sonny Rollins’ CDs and then put on both discs of Gato’s Latino America. Must have been all that crazy Argentine yelling, or maybe the bandaneon doubling up on the melody but behind the beat so Gato’s skronking and the banadaneon’s wheezing a half beat later and there’s crazy ass obscure Latin rhythms dancing in and out of everything and the CD player said fuck it I’m never shuffling another goddam disc ever, it said, and beamy it. It never did. It’s in CD player heaven now. I realize that your CD player never talked. Never said a word. But I’m Irish, inanimate objects talk. Even better, they argue. But twenty years. That’s 140 in dog years. They just don’t make things like they used to. Twenty years ago I could jump up the stairs two at a time and comb way more hair and remember things. They don’t make me like they used to either. Now I’m down to vinyl and cassettes. How analog. An analog monologue in fact.