Musso and Frank

Went to Musso and Frank yesterday and had a tasty meal. Sometimes you get delicious stuff in there, sometimes you wish you’d ordered something else, but that’s not the point. You go for the vibe, the history, that ancient coolness which is such a rare thing in this town. They plow under everything in Hollywood and build something new. Almost nothing is saved. And even if something is saved, will anyone notice? Or care? Los Angeles is where people come to start all over again, it’s a whole city full of people who’ve cut loose from their families, their exes, their pasts, themselves even, and pretend all of that never happened or they never knew those people back home or never had been a male cheerleader, a hit man, a mom. And we pretend the old neighborhood never existed, the old restaurant, the old film studio, the old anything…it just gets plowed under like the time I saw Tiny Naylor’s in Hollywood being leveled by a bulldozer. I stood there across La Brea helpless, all the times I’d been there passing before my eyes, and all the times I might have been there going up in a poof just like that, unfulfilled. The bulldozer reared back, lowered the blade again and pushed right through the dining room. Again and again. Tiny Naylor’s lay there, a disemboweled heap where once incredibly hot waitresses held trays piled high with hamburgers. The men would stare. Their dates pretended not to notice and seethed. The bulldozer plunged into the wreckage and scooped up a mess and let it drop into a big dumpster truck. Dust filled the air. I couldn’t watch anymore and wondered why L.A. ate its own past for lunch like that. Ate it and digested it and used the nutrients to raise new shopping centers, apartments, schools. There’s a school now where once a famous bowling alley once stood. The school was needed. There’s always another bowling alley. And too bad about Tiny Naylor’s , but there’s always Norms. Of course our Norms is now a hospital. Hospitals are needed. And there’s always Astro. Norms we used to go to when we were punk rockers and broke. We’d have spent all our money at the Brave Dog or the ON Klub and walk to Norms the next morning after scraping together a few 99 cents breakfast’s worth of spare change and the odd crumpled beer soaked dollar bill or two. Then we’d walk back to the house, smoke whatever dope was left and listen to loud records all afternoon, laughing and not worrying about a thing. Reagan was president and the world was going to end any minute.

Sometimes for dinner we’d scrape enough together for the Old Spaghetti Factory. We’d walk down there on a Friday night as Sunset Boulevard began filling up with Friday night cruisers. We’d order extra bread and fill our pockets. You could live on bread back then. Bread and beer and weed. On the way home we’d stop on the Sunset Boulevard overpass and watch the Hollywood Freeway come to life, white lights coming at us, red lights disappearing around the Scientology Celebrity Center on their way to the Valley. Dusk fell and the city turned to blackness and light and the craziness of the 1980’s.

That Old Spaghetti Factory is gone now. Just a shell where a restaurant used to be. They had to leave it like that, a shell. Whoever bought it was not supposed to tear it down. Historical designation. Like that helped any. It looks like a monument to post-war Berlin, like a B-17 dropped a big bomb square on the thing and everyone inside eating spaghetti is in heaven now.

Musso and Frank, though, hasn’t changed. Not one whit. Not even the waiters. Certainly not the wallpaper. Or the menus. Or menu. What Charlie Chaplin once ate you can eat now. What Bogie once drank you can drink now. What Orson Welles once complained about you can complain about now. That’s what Musso and Frank is. Continuity. Between it and the Pantry you know what was then is still now, only a little more expensive. Continuity is a rare thing in this town. Studios hire editors to maintain continuity in their movies, so one scene looks like the next, the curtains, clothes, who’s holding what beer and with what hand. It’s all fake, of course. One scene was shot weeks after the one before it. But you can’t tell. It’s a nice trick. LA’s like that. Stuff looks like it’s always been here.  It hasn’t. That hospital was once a Norms. That public storage warehouse was once a silent movie studio. That school was where Robert Kennedy was shot. But you can’t tell. Continuity. That’s a take. Let’s break for lunch.

After Musso and Frank (they have valet parking now…that’s different) we wandered over to Hollywood Forever cemetery in the rain. Parked the car by Johnny Ramone’s grave with the big bronze Johnny Ramone on top. Kids kept coming up, carloads or straggling little groups. They looked up at Johnny and held back tears. We looked the other way. The Fairbanks are down there, Douglas senior and junior. Their crypt lies at the far end of a long reflecting pool, and everything is marble and perfect. A perfect pair of swans glided across the water, and the rain came down and the swans never noticed.

(2013)

 

This story can also be found on Brickspicks.com, along side all the cultural stuff I’ve written about.

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They plow under everything in Hollywood

(2012)

Went to Musso and Frank’s yesterday, and had a tasty meal. Sometimes you get delicious stuff in there, sometimes you wish you’d ordered something else, but that’s not the point. You go for the vibe, the history, that ancient coolness which is such a rare thing in this town. They plow under everything in Hollywood and build something new. Almost nothing is saved. And even if something is saved, will anyone notice? Or care? Los Angeles is where people come to start all over again, it’s a whole city full of people who’ve cut loose from their families, their ex’s, their pasts, themselves even, and pretend all of that never happened or they never knew those people back home or never had been a male cheerleader, a hit man, a mom.  And we pretend the old neighborhood never existed, the old restaurant, the old film studio, the old anything…it just gets plowed under like the time I saw Tiny Naylor’s in Hollywood being leveled by a bulldozer. I stood there across La Brea helpless, all the times I’d been there passing before my eyes, and all the times I might have been there going up in a poof just like that, unfulfilled. The bulldozer reared back, lowered the blade again and pushed right through the dining room. Again and again. Tiny Naylor’s lay there, a disemboweled heap where once incredibly hot waitresses held trays piled high with hamburgers. The men would stare.Their dates pretended not to notice and seethed. The bulldozer plunged into the wreckage and scooped up a mess and let it drop into a big dumpster truck. Dust filled the air. I couldn’t watch anymore and wondered why L.A. ate its own past for lunch like that. Ate it and digested it and used the nutrients to raise new shopping centers, apartments, schools. There’s a school now where once a famous bowling alley once stood. The school was needed. There’s always another bowling alley. And too bad about Tiny Naylor’s , but there’s always Norms. Of course our Norms is now a hospital. Hospitals are needed. And there’s always Astro’s. Norms we used to go to when we were punk rockers and broke. We’d have spent all our money at the Brave Dog or the ON Klub and walk to Norms the next morning after scraping together a few 99 cents breakfast’s worth of spare change and the odd crumpled beer soaked dollar bill or two. Then we’d walk back to the house, smoke whatever dope was left and listen to loud records all afternoon, laughing and not worrying about a thing. The world was going to end any minute.

Sometimes for dinner we’d scrape enough together for Spaghetti Factory. We’d walk down there on a Friday night as Sunset Boulevard began filling up with Friday night cruisers. We’d order extra bread and fill our pockets. You could live on bread back then. Bread and beer and weed. On the way home we’d stop on the Sunset Boulevard overpass and watch the Hollywood Freeway come to life, white lights coming at us, red lights disappearing around the Scientology Celebrity Center on their way to the Valley. Dusk fell and the city turned to blackness and light and the craziness of the 1980’s.

Spaghetti Factory is gone now. Just a shell where a restaurant used to be. They had to leave it like that, a shell. Whoever bought it was not supposed to tear it down. Historical designation. Like that helped any. It looks like a monument to post-war Berlin, like a B-17 dropped a big bomb square on the thing and everyone inside eating spaghetti is in heaven now.

Musso and Franks, though, hasn’t changed. Not one whit. Not even the waiters. Certainly not the wallpaper. Or the menus. Or menu. What Charlie Chaplain once ate you can eat now. What Bogie once drank you can drink now. What Orson Welles once complained about you can complain about now. That’s what Musso and Frank’s is. Continuity. Between it and the Pantry you know what was then is still now, only a  little more expensive. Continuity is a rare thing in this town. Studios hire editors to maintain continuity in their movies, so one scene looks like the next, the curtains, clothes, whose holding what beer and with what hand. It’s all fake, of course. One scene was shot weeks after the one before it. But you can’t tell. It’s a nice trick. LA’s like that. Stuff looks like it’s always been here.  It hasn’t. That hospital was once a Norms. That public storage warehouse was once a silent movie studio. That school was where Robert Kennedy was shot. But you can’t tell. Continuity. That’s a take. Let’s break for lunch.

After Musso and Franks (they have valet parking now…that’s different) we wandered over to Hollywood Forever cemetery. Parked the car by Johnny Ramone’s grave with the big bronze Johnny Ramone on top. Kids kept coming up, carloads or straggling little groups. They looked up at Johnny and held back tears. We looked the other way. The Fairbanks are down there, Douglas senior and junior. Their crypt lies at the far end of a long reflecting pool, and everything is marble and perfect. A perfect pair of swans glided across the water, and the rain came down and the swans never noticed.

Dress to impress

Just out on the westside. Lotta white people over there. Even the Mexicans speak English, and when they speak Spanish they leave spaces between the words. We stopped at the beloved Santa Monica-adjacent Norms. The usual assortment of customers. The protagonist of the novel was based upon a real Los Angeles murderer shouted a weirdo a couple tables over. I ordered salsa with my omelet. It was watery and about as hot as a maraschino cherry. So I poured Tapatio all over everything. The people around me stared like I was some kind of dangerous masochist. Maybe I was that real Los Angeles murderer. Then a drop dead gorgeous blonde walked by. And another. And a third.  Wow. They come in batches over here.

We wandered about getting back, looping one way across town, then the other. Driving just for the hell of it. At Sunset and Vermont there was a Transsexual Liberation rally. Hey hey, ho, ho the guy screamed through the bullhorn, something something has got to go. He screamed it over and over through the traffic din. Around him stumped a couple dozen protesters waving signs. Transsexual Rights Now, etc. None appeared to be transsexuals. They just looked like regular frumpy people, computer nerds, couch potatoes. Either they have gotten remarkably realistic with the surgery, or none of them were transsexuals. A blazer or two wouldn’t have hurt any. It’s certainly a good cause. They just need a little fashion sense. Dress to impress, even at a protest rally.

No commas

No commas. No idea why, but there’s no commas. A whole email without any commas. It’d probably be a bad idea to write my Great American Novel this way. Anyway, feel free to parse.

We have to go the Omaha Steaks store on Pico which is next to Norms which we go to commemorate the Norms we used to go to at Sunset and Vermont and have the 99 cent breakfast because we were that broke back then like when we used to go to Greens Soul Food on Yucca on all you can eat chicken night which I think was Tuesdays and get more than we could eat of the chicken and sneak it out when the lady wasn’t looking but that Norms was demolished and replaced by a Kaiser facility 25 years ago at least and we get all our meds there now plus been to doctors upstairs and we haven’t been to that Green’s since 18th Street took over that block but the gangs there are long gone now but I don’t know if Greens is even still there and then after we eat cheap at Norms we’ll drive east on Olympic with our boxes of gourmet burgers we got for half price or even less and take them up the stairs and put them in  the freezer and change clothes and socks because I love fresh socks and then we’ll pop into Jax I imagine around 9 pm which I think is what you asked so if you and friend are there we’ll see ya. OK?