Ernie Krivda

Written in 2007 and appearing on the LA Weekly.com site, this seems ancient now, from another life time, another person really, utterly unjaded and trying hard as he possibly can to be a jazz critic. Fun story, though, and a very fond memory.

I love my buddy Dean. Ya can’t not love him…he’s a nut. And inspired, brilliant, funny, knows everything and everybody Sicilian motormouth of a musician from New York City with a heart the size of Indiana. A place he probably hates. So Dean begins emailing and calling me at work on Monday morning (no kidding…it was a Monday morning) and starts in at turbospeed about some guy whose name I never did get except I think it sounded Slavic or Balkan, something central European and points east who’s a saxophone player from Cleveland and he’s the best and yadda yadda freaking yadda. And something about a neighbor who gets his Sicilian heart and points south a-stirring, and they are new best buddies, and she’s a sweetheart, and I’ll love her, and she’s an ex-dancer or something, and she comes from Cleveland, and she’s a publicist now and has this new client who’s this saxophonist from Cleveland, and she’s got him a gig or showcase at Catalina’s and you have to be there because I told her (in a drunken moment I am sure) that you are a “jazz journalist” for that weekly whatever it is you write for and I promised you’d be there. Continue reading

Blue Christmas

Come Christmas I especially miss Charlie O’s…many a chilly December night I spent time in there sipping whiskey and listening to saxophoned renditions of Blue Christmas. A reharmonized Blue Christmas, perhaps, alien and even utterly unrecognizable to those of us not be bop musicians, but the head would return soon enough and it would be a blue, blue Christmas all over again. Herman Riley would let the last notes fade in a sigh and the sound of pads closing, one by one, till there was nothing but utter silence in a stilled room. The patrons would wait till every last air molecule passed through the bell of his horn into the ether before applauding. I think about that often now. For some reason I’ve thought about it even more this Christmas. The vibe is some rooms seems timeless, but alas they are anything but, and once their time is over there’s only silence and memories.
Saxophonist Chuck Manning on some night at Charlie O's.

Saxophonist Chuck Manning on some night at Charlie O’s.