Immigrants

(Another piece dug from the drafts folder)

My grandparents were from the old country–mom’s side from Ireland, becoming cops, politicians and drunks. Her father was a brilliant something or other who did so well at what was then the huge company Bendix he could afford to move the family into a nice old Philly neighborhood and have a cross burned into their lawn by the local welcoming committee. They didn’t stay long, and I believe wound up back in a nice Irish neighborhood in Waterbury CT,  with relatives up to their smiling Irish eyeballs in politics, and then somehow winding up on the Jersey shore, where my grandfather followed the long and hallowed Irish tradition of tossing success out the window to hang with the boyo’s at Harrigan’s Bar and sing the old tunes all day into the night. I loved the old loser. I take after him in many ways, but for the drinking. My grandmother and then my mother had to do the money making, of course, also an old Irish tradition. They were always the maids, remember, the men the drunks. Barry Fitzgerald made a whole career out of that role, that and the priest who takes a nip now and then. No maids in the family, though…my mother had a great job as a switchboard operator, back in the day when there’d be a whole battery of girls pulling and plugging cables and taking calls from the occasional movie star. I remember Grandma working at Newberry’s, behind the counter, fixing me a grilled cheese sandwich. Grandpa did a spell at a McDonalds later. Don’t know how long that lasted. Drinking, ya know. His one son, William Jr., my Uncle Bill, followed the same route, I love him dearly too. Wonderful old guy, now, teetering a bit, held in check by the very ancient variant of Catholicism he’s taken up with. The daughters–my mother and my aunts Barbara, Pat, Mary Sue–all took jobs and did well, lots of kids, nice middle class existences, but never above their station. No hanging around with rich Protestants, and the hell with the English. The queen can kiss my arse, Grandpa’d yell at the TV every time HRH appeared. I still can’t stand the color orange. I didn’t even realize why until I was 40. It’s in the green blood.

The other side, my father’s, came from Austria-Hungary. Talk about the old country, so old it’s been gone nearly a hundred years. The old man–my dad’s father–turned bitterly German, joined the Bund, got way too close to the upper echelon. Pretty sure he was on a name basis with Ribbentrop, or knew somebody who was. Ribbentrop was cultivating the Ausländer (ethnic Germans outside of Germany). He had plans. Some big shots in the Detroit Bund moved back to Germany before the war and took positions in the German government. My grandfather knew all of these men. I don’t know what became of them, though Ribbentrop they hanged. But that was years in the future, this was still in the midst of the Thousand Year Reich and times were good. My dad remembered beer halls in Detroit decked out in swastikas, Hitler on the shortwave. Stiff arm salutes and ridiculous uniforms. He was so young he thought it was fun. So did all the krauts there, a jolly beer drinking bunch a generation or two or even three off the boat, many of them the grandsons of refugees of 1848 who didn’t even know what their grandparents and great grandparent had fled from. My dad’s older brothers split home in disgust. Flint, Michigan was a dirty, bustling little industrial town back then, much of it desperately poor, a ghetto in every sense of the word but without a flood of handguns (they used knives and zip guns instead). My grandfather, an autodidact, spoke eight languages, running the gamut of the Balkan peninsula…he was forever getting called down to the police station to straighten out just what the drunk Hungarian was screaming at the drunk Croat. It was a rough time….the Spanish Flu had cut through Flint like a scythe, and all that 1920’s prosperity barely bothered the place at all. Then the Depression seemed like the end of the world. Things picked up a bit with the New Deal. The neighborhood streets were paved, sidewalks even, thanks to FDR. The historic GM strike that helped save the American labor movement was right there in Flint. My uncles had machine guns pointed right at them, a massacre worthy of the Czars was avoided at the last minute. My dad’s father hated FDR, seemed to hate anything but Germany. The English language was not allowed in the house.

Pearl Harbor came out of nowhere. My dad remembered his father sneaking off to the woods after Hitler declared war on the United States and burning boxes of documents. He was spared arrest due to health reasons, crippled as he was with dropsy, but a bunch of family friends sat in jails for the duration. My dad discovered just how serious it had all been when he was questioned by the FBI in the 1950’s while trying to get a security clearance. He had to answer all kinds of questions about his father’s nazi connections. He never went into detail but it was apparently not a fun experience. Dad’s older brothers all joined up during the war, George commanded an artillery battery in Italy, fighting the Wehrmacht from toe to top and I remember hearing that he saw one of the death camps at the end of the war. John flew B-17’s over Germany, Jake was a translator at Nuremberg. They came back afterward and laid it all out for the old man who was absolutely crushed….he died bitter and dropsy ridden a few years later. Every one said he was a real sonofabitch. I remember their closest family friends saying just that–your grandfather was a real sonofabitch. They left the bit about being better off dead unsaid. His eldest son died first, my dad’s beloved oldest brother, he was a brilliant pianist absolutely sodden with drink, no doubt from years playing for coin and refreshment in the speakeasies. He died in jail from pneumonia or the DT’s or both. A real Bix Beiderbecke way to go. There’s one recording of him, a lush, baroque, romantically German sort of beer hall jazz, virtuosic and utterly mad with Gershwin. My father’s family was so full of tragedy–a daughter had stepped on a rusty nail in Michigan and after tetanus set it they sent her home to the Old country where the locals applied folk remedies. I remember something about the laying on of spider webs. She died in the old country, during the Great War, of lockjaw. I try not to imagine that. My father’s family was rent with Nazi race pride, too, and a fierce Lutheranism so that when my Dad married a catholic–an Irish catholic at that–he was pretty much shut out. Some people are still fighting the Thirty Years War. None of his brothers came to my father’s funeral. All my mother’s sisters did. There was nothing but love on her side, crazy Irish love. We were raised Irish. To the core.

I never have grown out of the poor immigrant mindset. I really can’t abide the rich, as a class. I know it’s stupid. I know it’s counterproductive. Yet one of the reasons I grew more and more sick of that LA Weekly gig was having to deal with the rich more and more. They wanted to me to be their toy, the jazz writer who knew how to write, their precious little find. I couldn’t stand it. I turned down every opportunity to better myself, I slammed them in print. I always wound up hanging with the help at their soirées. I couldn’t stand watching all these young–and a lot of old–jazz players kissing rich people asses. I remember at one point realizing I could be hanging out with millionaires and movie stars and finding ways to make all sorts of money. Incredible perks. I was right there on the cusp, one weekend, an honest to god movie star coming up to me and politely asking for assistance with a project… I was the top guy in the room, and had never been so uncomfortable. I quit that LA Weekly gig the following Tuesday. We’re flat broke now but feeling much more honest. I’m a helluva writer, I know that, but I write for me, and for no one else, and I certainly don’t write so rich people can reduce this incredible jazz music to wealthy ornamentation as they’ve done with classical music. I refused to have anything to do with that. As the middle class died and left jazz to pampered students and the wealthy dilettante, well, I wanted out. I don’t come from money, I come from hard working–or not so hard working–immigrants, and it’s there I belong, down there in the toiling masses, unknown but to my friends.

So I’m broke, looking for work, writing daily for no one in particular, and quite content. I have lots of friends, and we all pull together and get by. And if that ain’t an immigrant story, I don’t know what is.

Sorry to write too damn much, but I always write too damn much. It’s just practicing. Saxophonists blow their scales, writers write long emails. Practice makes perfect, and it’s all about perfection, whatever that is.

White Fence

So this chick from Silver Lake told me White Fence were at the Natural History Museum. I did one of those Facebook double takes. At the Natural History Museum? Yeah, she said, it was First Fridays Night. You mean all those USC kids and White Fence? Yeah, and White Fence played. White Fence are a band now? Yeah, she said, for a few years now. La Eme order that? They’ve gotten into the Alternative Music industry now? I imagined a bunch of guys covered in tattoos and tear drops singing Cisco Kid and Farmer John and Tell Her She’s Lovely. What the hell are you talking about she asked. I realized it wasn’t the same White Fence. Nothing, I said, I’ve just lived here too long. I began to write that over at Cafe NELA they’d have thought the same thing I did, but on my side of the river now White Fence are some hipsters in a band…but I deleted it. It was a great show, she said, they’re really good. OK, I said, but I remember when they tagged my car.

White Fence

White Fence

(Photo by Kevin Dean www.betaart.com. I recommend checking out the site…he does some remarkable work.)

Punchline

So a punch line I thought up in high school finally got a set up today. Forty years may seem like a long time, but in the grand history of civilization it’s just another slowly unwinding bit. Centuries might pass between laughs. Concepts await understanding. Ironies not yet ironic. Knock knock said Aristophanes. No one laughed. Take my life, please, said Socrates. And they did. How an elephant got in my pajamas I’ll never know, said Jesus. But it was a rough crowd, and they crucified him.

April 5

April 5th is a way cool birthday—Spencer Tracy, Bette Davis, Melvyn Douglas, Gregory Peck, Walter Huston, Lord Buckley, Frank Gorshin, Roger Corman, a bunch of other people, and me. It’s a way cool death day too—Douglas MacArthur, Chiang Kai-shek, Howard Hughes, Brian Donlevy, Alan Ginsberg, Charlton Heston, Kurt Cobain, Saul Bellow, a bunch of other people and not me. Yet, anyway.

Lord Buckley would be 108 today if the Nazz hadn't taken him.

Lord Buckley would be 110 today if the Nazz hadn’t taken him.

 

 

Blood Moon

Waiting up for the blood moon with After Bathing At Baxter’s. The moon is a sliver of white against deep, dark orange, won’t you try, won’t you try, won’t you try. Spencer Dryden laying down a dirge. Blood moon. Six or seven minutes of moonlessness and feedback hum, then on comes the light, the morning, and Saturday afternoon. Won’t you try, the band keens again, won’t you try, won’t you try, won’t you try. The birds come back to life, the silence vanishes, and the moon fades with the dawn.

Mutually Assured Destruction

(2012)

I did meth once. It was a gay drug then, and our gay friends were getting heavy into it. This was Hollywood in  the early 80’s, before AIDS. Everyone did everything, we all figured the world was gonna blow up any day now so why not? We actually thought that. There were so many bombs that they could blow up the world a hundred times over and still have bombs left for another go. Mutually Assured Destruction, they called it, M.A.D. There was a defrocked gay chemist living  upstairs from our friend Tim who’d lost his chemist license years before. It was a crowded apartment building full mostly of other gays  at Wilcox and Fountain right in the center of Hollywood. At night you could hear the inhabitants loudly fucking. Tim lived on the second floor. The crazy queen chemist was brewing meth on his stove on the upper floor. Cool! None of us thought about explosions or anything at all, really. This old ex-chemist certainly didn’t. It was obvious he’d lost his job due to the drugs he could make, and if I remember right he’d spent the 60’s making LSD, making a lot of money and a lot of friends. He was like a crazy mad scientist who laughed and laughed and spun a million disjointed stories about hippies and rock stars and handsome men.  Tim was a retired lieutenant colonel from the US Army, his friend Chris a talented stage actor gone over the edge. I forgot the name of the defrocked chemist. The gay scene in the 80’s was dark and decadent, all kink and leather and things we were not allowed to see, ever, innocent straights that we were. But we loved to party and had no hang ups and so all became great friends. Naturally we were invited over to their meth party. Meth party. Sounds so trailer trash now. Not back then, though, meth was the new blow, but at recession prices. Lasted longer than cocaine and you could make it on your stove if you were smart about it and no one got blown up. Tim was mad about classical piano, Horowitz especially, he had a hundred cassettes of Horowitz, and his living room echoed with great sweeping Russian arpeggios that would collapse into huge ivory pounding crashes. Rachmaninoff gone mad. The meth made our ear drums vibrate and it was Horowitz in a wind tunnel. My god it was exciting. The meth was piled on the coffee table, gleaming white, and there were plenty of straws. We drank cheap red wine in fancy glasses and ate nothing and talked all at the same time and laughed hysterically at nothing and I couldn’t take my eyes off of Fyl’s tits. I wanted her so bad just then, then and now, right there, and probably tried. No luck. We drank and drank and drank and snorted and snorted and snorted and went home who knows when, nine or ten in the morning. Sleep never came. I wrote. I still have that pad. The letters get bigger, more jagged, the grammar dissolves, soon the pen is shredding through the pages like a knife. I listened to crazy music. My hard-on had disappeared hours before, unthought of, impossible. Fyl finally crashed. I couldn’t. I just stayed up and up and up. I wanted to sleep but couldn’t. Just stayed up and up and up. It got boring. The eyes vibrated. The teeth ground. I was vibrating and grinding and twitching and bored. The trip finally became manageable and I got loads of things done. A zillion little things. I cleaned and straightened out and wrote but was too antsy to sleep. Antsy. Like army ants antsy. Too many ants antsy. Not itchy antsy, just twitchy unsettled antsy. But that feeling too subsided and exhaustion took over. Utter exhaustion. Two of three days worth of exhaustion. The thing was over. I slept hours and hours and hours. For a few days afterward I spit out pieces of teeth. There are gaps now where they used to be. I can run my tongue where they once were and remember.

Never again, I said. Never ever again.

April Fools

Subject: Announcement. Date: Sun, 01 Apr 2007

To all my friends:

After a great deal of soul searching and inner torment, and with my half century mark looming, I thought it was time to come clean. I am coming out of the closet.

It is a fabulous feeling, being free. We will work out the details shortly. But I just wanted everyone to know the real me. This is who I am. A gay American. I hope the shock is not too much. I hope we will remain the dearest of friends.

Love,

Phillip (aka Brick)
April 1, 2007

Ha!  Didn’t know I still had that. Think my friend Danette had kept a copy. She sent it back to me. Blackmail purposes, probably. Anyway, it was the very last April Fools prank I ever pulled. The nuclear option. Most people believed it. Even my mother. I was floored how people automatically assumed that Brick, that big giant gnarly punk rock drumming jazz critic, was coming out of the closet. Apparently they had no problem believing it. They were surprised but supportive. I got beautiful, understanding emails. A lot of them. It was pretty funny. Hell, it was hysterical. I called my wife, giggling. As the afternoon wore on the responses grew longer and even more beautiful and supportive. I began to feel guilty about the time they grew to several hundred words. They kept coming. Dozens of them. I felt guiltier. Finally I received one that was almost literature. It was the sort of thing that should have been printed in a major national magazine it was so beautiful. It almost made me wish I really had come out of the closet. I realized I’d better put an end to this before my feelings of guilt turned to self-loathing. So I thanked everyone for their kind words and then said, uh, April Fools. You’d be amazed how fast love and understanding turns to anger and resentment.

Of course, there was that response from a close friend. It wasn’t long and supportive and beautiful. Just the opposite. In fact it was only three words: I knew it, she said. She knew it? She never explained how she knew it. I wondered what I had done but was afraid to ask. I still wonder. She never did say April Fools.

.

Happy Birthday, Lex

Fun fact: Lex Wahl was born this day in Fairfield CA. OK, that’s not a fun fact. It’s a boring fact. We’re talking Fairfield CA. Halfway between Sacramento and Frisco. If crows flew between them that is where they’d stop and take a leak. If crows took leaks. Do they? I thought they just aimed at windshields. Anyway, I’ve been to Fairfield a couple times. It’s what they call a bedroom community. Let’s just hope there’s more going on inside them than out on the town. I assume there is, as there is no shortage of children, unless they buy them at the mall. Or grow them from pods. Or they were all holograms or hallucinations or a convention of midgets. All three of which happened to me once, actually, but that was in Glendale, and not on Lex’s birthday. And I think it was my birthday, at the Alex Theatre, and I was backstage arguing with the Gay Men’s Chorus. I hate the Sound of Music and will not sing along, ever. Not even in Armenian. They threw me out. Now you know. But this isn’t about me, so nevermind.

I have to admit I have no idea what year Lex was born in. Sometime after me, I know that. They were all after me. All five of them. Some single child I’d make. Not that I’m bitter or anything.

Anyway, whatever, like that, and Happy Birthday, Lex.

Finger food

(c. 2010)

I was at the Bowl last nite, on stage. Gustavo Dudamel is really short and never stops talking. He is even understandable in places. A cocktail party. Drank weak mojitos and ate finger food off trays carried about by perfectly postured waiters. The food was vaguely Latin in a Beverly Hills kinda way. Wound up talking to two cool little gay guys who sounded like each other, a black dude taller than me, a couple reporters, a couple babes, Johnny Polanco, and avoided all the publicists by not saying who I was. Well, most of them. There were all these suits there, I have no idea who they were. I never do. I never want to. Squaresville. The secret is to show up to these things, make the press people look good so they return the favor throughout the season. There was an ancient old lady there is a full length dress in shattering Sex Pistols pink. Way cool. The reporters stood around and told stories of how high they had gotten at the Bowl. One had passed out. That was impressive. I left at dusk, and watched a bat flying over the parking lot. It fluttered in crazy patterns, snatching unseen bugs. I watched till it disappeared in the twilight, then got into my car, wended my way through the parking lot and back into reality.

My kingdom for a word

(2013)

Thirty years ago I was watching an Ancient Lives episode, Egyptologist John Romer‘s series from the early 1980’s. (The only television my wife and I seemed to watch back then were documentaries). Remarkable series, never seen one like it. He was standing in a tomb in the Valley of the Kings and behind him was this magnificent painting wall painting. The artist, he showed us, had painted the outline of the figure of a man (or was it a god?) in one continuous sweeping stroke, twelve feet long. It wasn’t a straight line, but a lifelike line, curving, gently undulating, utterly ungeometric. Then he pointed out that all the paintings were like that, beginning as immensely long single strokes, perfect. All the artists painting the tombs did the same. In whatever schools they taught tomb painting back then, they taught this patient, focused technique. And, Romer said, we can’t do that now. Not with such ease. I watched a detailer draw a line across my car in a body shop once, one long continuous stroke. It was exquisite. One long, focused, flawless stroke. But could he have taken that brush, dipped it in paint, and swept across a wall in one long stroke, curving, undulating, unerring, a perfect outline of the figure to be filled in afterward? I’m not sure, but I doubt it. Our art is grounded in Greek sculpture and Roman mosaics, I think, infinite details, a zillion tiny steps creating a whole. I can’t imagine one of those Egyptian artists would dig Monet. Theirs was a world of long, graceful, fluid lines. One endless, perfect, living stroke. And thirty years later I’m looking for an adjective that described that stroke. Or described the look of that stroke. I needed to compare a picture to a melody played on the trumpet. Nothing bebop and pointillistic, but a long graceful richly hued melody. Like the theme from Chinatown. I was looking at a still of Faye Dunaway, it was softly black and white, the light was low, her expression haunted, and it struck me that the still–a portrait, really–looked like the trumpet playing the theme sounded. So I began to write that and halfway through the sentence suddenly needed a term that described those long seamless ancient Egyptian strokes. Because that is what her outline was, that’s what would nail it descriptively. An adjective that could apply to both a painting of Ra and a photo of Faye Dunaway. I needed that adjective. I began with soft but it wasn’t soft. It wasn’t firm either. It was —–. I was stuck. There isn’t one. There’s no such word. And no wonder, the very concept of the impression made on us by seeing a shape made by one long stroke like that doesn’t exist. And if it weren’t for John Romer it never would have occurred to me that such a thing even existed, and I wouldn’t have wasted an hour trying to look for a fucking adjective describing it. Hell, I couldn’t even describe it here, this is a mess, I’m flailing about trying to describe something that can’t be described in English. Romer had the visual, he followed the line with his finger and loving camera. We could see it on the screen, and visuals, even after four thousand years of writing and a hundred thousand years of speech comes nowhere near the effectiveness of the eye. Even something as rich in vocabulary and concepts as English, packed as it is with the borrowed lexicons of several languages and bits and pieces of a hundred others, is struck dumb by things it doesn’t even know exists. That skill John Romer marveled at defies my ability to describe without elaborate description. So the Chinatown piece sits unfinished, awaiting one non-existent word, and instead out gushed this. My kingdom for a word.