Critique of Pure Reason

There was a time when all jazz musicians did was party and chase women and blow amazing saxophone (or whatever.) Now they are smart and do this:

So I got to ask this..
Let’s say you are sitting under an oak tree, and there is a guy next to you, let’s say he’s reading a book…Suddenly, the tree sheds a branch, hitting him, but you are (miraculously?) unscathed..
Do you proclaim “God is great” “I am blessed” or variations on this theme (which I see a lot of here on good ol FB…)
And, equally importantly–what about the dude who is injured by the branch?
Did God decide he was a bad man?
You were better?
More blessed?
More worthy of not being pounded by a falling tree branch?
I am genuinely interested in hearing rational non reactive responses from at least relatively sane individuals.

Holy shit. That was Rufus Philpot, the real thing. A bassists’ bassist. People don’t talk through his bass solos. So his philosophical quandary was not something easily blown off. Not bad poetry from a singer songwriter poet with hair like the Flying Burrito Brothers. Not some kid writing in a journal in a dark corner at the Blue Whale, discussing tonality. Not a philosophy major like the editor who so got on my nerves instantly at the LA Weekly that I walked, Johnny Paycheck style. No, this is Rufus Philpot, a heavy. Not to mention with the rare ability among jazz musicians of writing well (he should be blogging those jazz album reviews of his, they’re beautiful.) But last night I gave several smart ass responses to this and forgot about it. But you can’t just forget about it on Facebook. The next day they stare at you again. Your comments, I mean. Sitting there. Glaring. No wonder everyone is so mewly nice on Facebook. No wonder that everyone writes as if their grandmother is reading everything they post. No wonder it’s so Mr. Rogersesque. Because you can’t escape. You write the wrong thing–OK, the way wrong thing, like bragging about Hitler or something–and all virtual humanity will loathe you, make you miserable, cost you your job, and weird if beautiful women with a thing about losers will want you. Of course if you write something no one noticed nothing of the sort will happen. But it’s my blog, so I will exaggerate–well,lie–and say everyone noticed and you will probably keep reading anyway, waiting for the punchline.

But back to Mr. Philpot’s quandary:

I’d say it was just a tree branch that was ready to fall off–eucalyptus, probably, they do that, I saw one smash a Volkswagen once–and Mr. Philpot was in the right place and the guy reading Critique of Pure Reason was also in the just right place, but at the wrong time. So what’s to do but dial 911 and see if he’s breathing.

I say that now. But last night I came home from three hours of Bruce Forman and gave acerbic, misanthropic responses for which I am truly ashamed. I said that God hated that arrogant book reading motherfucker…He does that, for no reason. And then later I said that it was the guy’s fault for pissing off God in the first place. I told another lady that if she stood on her head and coughed it would get her high. There were more, too, on Facebook, on Twitter, in email. In my blog. I was making vicious fun of everything. I felt possessed by Ambrose Bierce. Had I lived near the beach I would have slipped an insulting note into a bottle and tossed it into the sea. My wife finally bopped me on the head and told me to cool it. This is what happens when you hang around jazz musicians. My mama done told me.

Of course, this mea culpa itself might be yet a further extension of cynical misanthropism. A nightmarish gyre of irony. I’m a writer, and embittered old jazz critic and we get like that. It’s all those solos. They screw up the head. I was a nice guy when I did my thesis on Peter, Paul and Mary. Oh well. But that anyone who does read Critique of Pure Reason is asking for it, you Kant deny.

I’ve never read Critique of Pure Reason. For one thing I was not smart enough. One paragraph in and I knew that. For another thing, I had a life. You can spend years on a tome like that, and by the time you finish you’d have none of your old friends left, though some very irritating new ones. And I was gonna say you can’t get laid reading Critique of Pure Reason but actually that is not true. I discussed this in a previous essay. Had I known the truth, I would have changed majors. But what, then, is Truth? The truth is I dropped out of college, joined a punk rock band and got laid instantly. I was the drummer, and came out on stage that first gig and warmed up using logs for sticks. That’s all it took. That’s the Truth. Epistemology didn’t even come into it. And while I know the jazz musicians among you won’t understand the logs thing, this was the late seventies. Two words: “Disco Monk”. And that was Sonny Rollins. Logs for drumsticks, Disco Monk, thrift stores full of abandoned pet rocks. It was an ugly time.

OK. Daylight Savings Time is over and I’m thoroughly confused. To make it worse I saved up the last twenty years of Daylights Savings Time and used it all at once so now it’s sometime next Tuesday. You don’t fuck with the calendar. I wish someone had told me.

Grammy Museum

One night I finally gave in and went to one of these events at the Grammy Museum they were always after me about. It was dull, dull, dull. There was the inevitable private reception afterward with an open bar with expensive wine. The bored waiters slipped about with trays of bite sized things I couldn’t identify, but generally tasted odd. The crowd was all music industry types and hangers on and ass kissers and aging star fuckers and their rich kid freeloaders and not my scene at all. Not one bit. I slipped away for a minute and looked at some photo display in the gallery. Big shiny photos perfectly positioned and mounted and framed and very artily significant. Most of them were of rock stars, this being the Grammy Museum. Boz Scaggs and Rod Stewart and Bonnie Raitt, some Debbie Harry and David Byrne and Sting, like that.  For some ungodly reason, right there in the middle of them, was a shot of crazy, hardcore, anarchist, music business-hating Black Flag, with Henry Rollins all serious and fierce and young and not quite so buff. I recognized the beat up van they were sitting in and laughed….I remembered smoking dope in that very same van. Getting very high. That was, what, some thirty years ago? A couple party attendees came up, maybe wondering what I found so funny.  I got high in that van I said, aloud. Maybe too loud. They backed off. I laughed again. Nice people did that when we laughed back then too, thirty years ago. We would laugh, they’d retreat, we’d laugh again. Funny how laughter can be dangerous. Everyone took themselves very seriously in the seventies. So we’d laugh at them. It worked. This and the rest of my life three decades ago passed before my eyes. I was dying in there, surrounded by these photographs,  these people, this place. 

Suddenly I wondered just how the fuck I wound up hanging around a bunch of music industry hacks at the Grammy Museum. I hate the Grammys. I hate the music industry.  At that moment I knew I would never make it in this business. Me, who’d shared a bill with Black Flag in some hole of a club long ago. And me now, who only wants to sit in a small bar somewhere and listen to intense jazz improvisation. I just want the music, the pure stuff, all creativity and inspiration and intensity. Not this shit. Not this ultra hip industry crap. Not their fine suits and  fine cars and arm candy. I was hating myself for even being there. I had promised I never would, but there I was. Just another jazz journalist on the make. I had to get out of there, so I gulped down my two hundred buck chuck and split. The valet brought my car around. I got in and cranked up the radio. A saxophone screamed. I pulled into the city traffic and went looking for some jazz, feeling clean.

You started the fight, Van Gogh

(2012)

Harley Flanagan Arrested: Founder Of Cro-Mags Charged With Assault For NYC CBGB Fest Fight
NEW YORK — Authorities say a two people were stabbed and one was also bitten before a show at the New York City music venue Webster Hall. Harley Flanagan, a founder of the hard-core punk band the Cro-Mags, was arrested on assault charges. Published reports say the victims were current members of the group.

No information on an attorney for Flanagan was immediately available.

The violence happened Friday night during the CBGB Festival. CBGB representatives say in a statement that the disturbance shouldn’t overshadow the events, which included free concerts in Times Square and Central Park.

CBGB was once a famed Manhattan rock venue where bands like The Talking Heads performed in the early 1980s. The venue closed in 2006. The festival is an attempt to revive the CBGB brand.

The “CBGB brand”? Are you kidding me? Rock music is so fucked up anymore, just another bullshit business. I’m glad somebody got bit. At least that’s punk rock. Hell, back then if you didn’t get bit or beaten or jailed or wailed on somehow, you weren’t doing the shit right. When you can brand CBGB’s, it’s time to destroy everything and start all over. No shit. That should’ve happened along time ago already. I can’t believe there’s a whole generation of kids who think what we did back then was cool. I mean you simpering little fucks, you’re supposed to hate what we did. We did. Shit, we lived to harass hippies. Always hate what came before you. How do you think music changes? I suppose this is not part of the music appreciation course curriculum, however. You don’t study it when earning that MBA in music industry administration. Sigh…..Would’ve loved to have seen that idiot bite those guys. My guitar player bit a guy’s ear off back in the 80’s. OK, it was just an earlobe. But you shoulda the dude crawling around the floor of the Anti-Club looking for his earlobe like a lost contact lens. Like here ya go, Doc, sew it back on. Yeah, sure. You started the fight, Van Gogh. He was a rich kid anyway. He could buy another. Ya know, I’m supposed to be a hot shit jazz journalist now, but sometimes I miss punk rock.

.

.

You could wipe your hands on them

I was at a party at a westside club a couple years ago. One of those afternoon things, cheap beer, hot dogs, loud music, old friends, good times. The place was Liquid Kitty, a sweet little watering hole on Pico. I’ve known the owner since Ye Olde Days, maybe a quarter century or so back. We were both thin and had lots of hair then. Now he is thin and has lots of hair and every once in a while he books a bunch of Ye Olde punk bands from Ye Olde Days and they play all day long in the joint to a crowd half full of Yo Olde Geezers and half under thirty types who think we are soooooo cool. You knew Darby Crash? Was he just like the movie? You opened for Black Flag? Wow!!!!! I always want to point out that was over thirty years ago and shame on them for not coming up with their own musical rebellion like everyone else did before them since the days of ragtime, but I refrain. They’re so cute. And clean. You could wipe your hands on them. And they’d let you.